radiantasthesun
We had already been shooting for about five weeks when Catching Fire was released, and you could see and feel the reaction people had to the end of the movie. It affected our approach to her character and her state of mind. Although she is damaged, it’s about modulating the right kind of damage so you still have some of that fierce determination, anger, and suspicion. It’s balancing all of that with fragility because there’s not much fragility in that look at the end of Catching Fire, so it was about finding the nuance of her damagedness. I have to say Part 1 was probably one of the most complex movies I’ve done in terms of tracking a character’s emotional state. It’s so specific, and you have to be so careful not to go down the wrong path. It would be so easy for the fine tuning of the performance to go off - not because of anybody’s fault - but it’s literally making the right choices to go down the right path. But I think Jen did a great job and I’m really pleased.
Francis Lawrence on their approach to Katniss’ vulnerability in Mockingjay Part 1 (X)
coluring

raptortooth:

mybine:

lumos5001:

amazingpeetaisnotonfire:

sluttynuggets:

aphtaiwan:

johnhamishmorstan:

I don’t understand american school years what the fuck is a freshman or a sophomore why do you have these words instead of the numbers

what why would you use numbers

so IT FUCKING MAKES SENSE WHAT THE HELL IS A SOFT MOORE OR A FRESH MAN WHY ARE THE MEN FRESH

image

America makes no sense, as usual.

bless the person that actually made the chart

laughter from France

image

France what the fuck